I make it a habit to always get a scan of my finished sketches because I'm terrified I'll mess them up. Which I totally just did.
I know the quality isn't super fantastic, but the lines were actually quite light, so I had to fudge about with the contrast a bit. Anyway, I feel like I should have left it alone, because it's quite nice on it's own, but for some reason, even though I had this feeling I would mess it all up, I decided to take my inks to it anyway.
Blech. I don't know, I feel like the balance has suffered somewhat from the coloring. I had some issues with my new waterbrush where it would keep blotting the paper and spreading around the ink either too thinly or darkly, and it just didn't sync up to the image I was hoping to achieve in my mind. Also, I like how I just spent a lot of money on markers at Sakuracon, and the first thing I create post-con is with my inks instead. Wah-Wahhhhh. Still clipping together a sketchfile to show you all the scribblings and such I've been working on, and maybe I'll post that when I'm not distracted by all the shameful Vocaloid doujinshi and gay vampire comics I bought.
WOOPS.
Showing posts with label process. Show all posts
Showing posts with label process. Show all posts
Wednesday, April 11, 2012
Wednesday, November 16, 2011
Big post about process/tools and some more sketching.
When I started this blog, I figured I would try to talk as little as possible because A) The art should speak for itself and B) I'm a babbler. Well....
Right. I figure if I just want to post images, I'll just get a tumblr or something. I was looking over one of my many pencil cases and figured I'd do a healthy bit of rambling about some particular tools I use frequently or find indispensable, starting with some of the uncommon ones.
This awesomely ridiculous ballpoint pen cost practically nothing at Daiso and comes with six colors in black, blue, green, pink, purple, and red. I always have it on me and use it for shading hair, skin, lining, whatever. It's actually quite a decent little pen and has seen a lot of use, so I recommend it fully to anyone who is looking for a cheap way to color or line with color. Sure it's sparkly and stupid, but if you're an artistic person, you can get away with eccentricities like this, goddamn it. They probably sell less girly versions of this pen at Daiso, but I wasn't paying attention because I am naturally drawn to things that are tacky and silly.
From right to left: Two kuretake portable waterbrushes, a pilot choose ballpoint pen, and a purple gel pen that smells like grape from Korea.
First, the waterbrushes. These are excellent tools for exploring aqueous media on the go. The one on the far right is filled with a half-and-half mixture of walnut ink and water, which I use to shade neutral things or add depth to sketches. It also has a slightly thicker brush tip than the one next to it. I carry a separate pencil case filled with watercolor pencils, and what I like to do is use my waterbrush to load color directly onto the bristles, then apply the color in the areas of the picture I am working on. Of course it also works to color with the watercolor pencils and then go over what you've done with the waterbrush. I also use my waterbrush to transform old markers from cheap brands, using them in much the same way as I use watercolor pencils. Waterbrushes are awesome.
The Pilot Choose pen is my favorite brand of white gel pen, which finds use mostly in highlighting and tweaking. It has a very thin tip, which is nice because I work quite small, the ink is opaque, and it can also be diluted once applied if you use a waterbrush. If you can't find a pilot choose in your local art store (I had trouble finding it outside of Sekaido), you can buy them at www.jetpens.com, which is a great resource for markers and pens. I also use a white gel pen called a Soufflé, but it is a bit thicker to apply and can be a little tricky if you are impatient with drying ink.
My favorite little smelly gel pen is cool because it smells like grape, is purple, and is easy and smooth to write with. Use a waterbrush to load color from the tip, and it opens up new worlds of versatility. The ink dilutes wonderfully with water and looks beautiful once applied. Also, whatever I use it on smells like grape, which makes me smile. Discovering the potential in this cheap little pen was a total accident, and is what originally led me to start spilling water on all sorts of things to see what can be used in a more painterly fashion. Certain gel pens are very good for this, so my advice is to play around and see if you can't find new ways to use old tools. You might find something great!
This is where the magic happens, which is a bit more like "this is where I draw wangs and write the word FUCK all over everything and these are the things I use to do it with". I know I mentioned before that I have a great affinity for ridiculous looking things, and my pencil case is very, very ridiculous. It has two pouches and folds out with a few pockets for erasers, and I keep my pencils, waterbrushes, bleedy gel pens, and liners in it. Iced tea and cupcakes are optional but greatly appreciated additions to the creative process.
Speaking of the creative process, here's some new stuff!
Haha, those of you who follow http://lustredesquelettes.blogspot.com/ will recognize her style in the drawing in the corner of this page. It's cute and inside-jokey and I love it. :D Also belonging to her is Lucifer, who is naked and studly with Canta. They're so cute together that it makes it hard to not draw them all over everything. My big problem with this page is how messed up my crappy anatomy is. >:| Whatever. Moving on!
This is mostly a reference for my own use. Those of you familiar with my Crux project (which is probably no one, because I never talk about it), know that the main characters are big looming giants. Because I will have to visually direct their gargantuan freakishness, I need to be certain that I am establishing everyone else in a consistent manner. I'm still not totally satisfied with how everything looks, but the gist is important. Canta and Jupitor (far left) are anomalies as far as the general population is concerned, but I don't really feel like talking about the specifics of their unique physiology right now.
Time to go back to painting!
Right. I figure if I just want to post images, I'll just get a tumblr or something. I was looking over one of my many pencil cases and figured I'd do a healthy bit of rambling about some particular tools I use frequently or find indispensable, starting with some of the uncommon ones.
This awesomely ridiculous ballpoint pen cost practically nothing at Daiso and comes with six colors in black, blue, green, pink, purple, and red. I always have it on me and use it for shading hair, skin, lining, whatever. It's actually quite a decent little pen and has seen a lot of use, so I recommend it fully to anyone who is looking for a cheap way to color or line with color. Sure it's sparkly and stupid, but if you're an artistic person, you can get away with eccentricities like this, goddamn it. They probably sell less girly versions of this pen at Daiso, but I wasn't paying attention because I am naturally drawn to things that are tacky and silly.
From right to left: Two kuretake portable waterbrushes, a pilot choose ballpoint pen, and a purple gel pen that smells like grape from Korea.
First, the waterbrushes. These are excellent tools for exploring aqueous media on the go. The one on the far right is filled with a half-and-half mixture of walnut ink and water, which I use to shade neutral things or add depth to sketches. It also has a slightly thicker brush tip than the one next to it. I carry a separate pencil case filled with watercolor pencils, and what I like to do is use my waterbrush to load color directly onto the bristles, then apply the color in the areas of the picture I am working on. Of course it also works to color with the watercolor pencils and then go over what you've done with the waterbrush. I also use my waterbrush to transform old markers from cheap brands, using them in much the same way as I use watercolor pencils. Waterbrushes are awesome.
The Pilot Choose pen is my favorite brand of white gel pen, which finds use mostly in highlighting and tweaking. It has a very thin tip, which is nice because I work quite small, the ink is opaque, and it can also be diluted once applied if you use a waterbrush. If you can't find a pilot choose in your local art store (I had trouble finding it outside of Sekaido), you can buy them at www.jetpens.com, which is a great resource for markers and pens. I also use a white gel pen called a Soufflé, but it is a bit thicker to apply and can be a little tricky if you are impatient with drying ink.
My favorite little smelly gel pen is cool because it smells like grape, is purple, and is easy and smooth to write with. Use a waterbrush to load color from the tip, and it opens up new worlds of versatility. The ink dilutes wonderfully with water and looks beautiful once applied. Also, whatever I use it on smells like grape, which makes me smile. Discovering the potential in this cheap little pen was a total accident, and is what originally led me to start spilling water on all sorts of things to see what can be used in a more painterly fashion. Certain gel pens are very good for this, so my advice is to play around and see if you can't find new ways to use old tools. You might find something great!
This is where the magic happens, which is a bit more like "this is where I draw wangs and write the word FUCK all over everything and these are the things I use to do it with". I know I mentioned before that I have a great affinity for ridiculous looking things, and my pencil case is very, very ridiculous. It has two pouches and folds out with a few pockets for erasers, and I keep my pencils, waterbrushes, bleedy gel pens, and liners in it. Iced tea and cupcakes are optional but greatly appreciated additions to the creative process.
Speaking of the creative process, here's some new stuff!
Haha, those of you who follow http://lustredesquelettes.blogspot.com/ will recognize her style in the drawing in the corner of this page. It's cute and inside-jokey and I love it. :D Also belonging to her is Lucifer, who is naked and studly with Canta. They're so cute together that it makes it hard to not draw them all over everything. My big problem with this page is how messed up my crappy anatomy is. >:| Whatever. Moving on!
This is mostly a reference for my own use. Those of you familiar with my Crux project (which is probably no one, because I never talk about it), know that the main characters are big looming giants. Because I will have to visually direct their gargantuan freakishness, I need to be certain that I am establishing everyone else in a consistent manner. I'm still not totally satisfied with how everything looks, but the gist is important. Canta and Jupitor (far left) are anomalies as far as the general population is concerned, but I don't really feel like talking about the specifics of their unique physiology right now.
Time to go back to painting!
Sunday, October 2, 2011
Privilege and Process
Hey guys. I'm totally back. Sort of. Life is kind of stupid right now so art helps me kind of deal with what's going on. I won't go into details because it's not interesting, but I will share some of the stuff I'm working on. I actually have a lot of projects and sketches going on, but today I'm going to talk a little bit about my process from start to finish.
Because I have generally stupid habits, I tend to do a lot of work in my sketchbooks, instead of planning drawings on nicer, better paper. It's probably because when I draw, I start really rough and abstract. I might have an inkling or an idea, but it's generally chaos and pencil lines until I start to erase and curse a lot. I started with a teeny scribble in the right corner of the character, Privilege, and the sketches on the side are just me trying to work out what the demon that lives inside her neck looks like. I'm currently working quite a bit in a moleskine style teNues sketchbook that I always have with me, and the paper is very thin and not very well suited to markers. Oh well. Moving on.
Lining! The part in the process I actually hate. It wasn't until more recently when I started to use liners in different colors, and I am really loving the browns and reds. Black, I feel sometimes makes me hypersaturate my color choices. Or it just makes my colors look funny. I might be crazy. Whatever. I love black, but right now I'm liking the idea of adding black after all my colors are locked down. It makes for crisper lines.
She's done! I know this seems like a big jump and if I had actually been planning this as a process-oriented post, I would have done some scans of the progress in coloring, but I just... didn't think of it. There are times when I know exactly which colors to use and times when I have no idea and fly by the seat of my pants. This is an example of the former. I always start with the face and hair as a habit, and then move on when I feel like I have sufficient definition.
When working with mixed media, I start with layers of markers. I use neopiko and copic, but I have a few prismacolor pens floating about. I don't really prefer them because I love the flexibility of a brush tip. It's generally good to have a sense of organization to the way you color and I kind of....don't have that very well. After a certain amount of time with marker, I tend to get restless and pull out my inks/pencils/whatever.
I have found that some of the ink sticks made for the coletto multipen systems bleed when exposed to water, as do many gel pens, and this can be used to great advantage to shade and color. I lined a few sections in the hair and placed a few small lines in the legs and cardigan, then I took my waterbrush and pulled the color from those lines to shade nearby areas.
After some lengthy tuning with the waterbrush and some watercolor pencils/aquamonolith/multicolored daiso ballpoints, the last thing to do is clean up bits and pieces with a white gel pen. I use a wonderful pilot gel pen which makes very clear, consistent lines. It's easy to go crazy with the white because it's fun, but it can add a lot of distracting lights and make things look plastic, so I am trying to use it with more purpose. So I primarily used it to soften harsh lines and add shine to the hair.
Then I took it into photoshop and cleaned it up, slapped a border on it and signed it.
Maybe I'll do a boring post on my tools next! Or a better process post. Hahaha. <3
Because I have generally stupid habits, I tend to do a lot of work in my sketchbooks, instead of planning drawings on nicer, better paper. It's probably because when I draw, I start really rough and abstract. I might have an inkling or an idea, but it's generally chaos and pencil lines until I start to erase and curse a lot. I started with a teeny scribble in the right corner of the character, Privilege, and the sketches on the side are just me trying to work out what the demon that lives inside her neck looks like. I'm currently working quite a bit in a moleskine style teNues sketchbook that I always have with me, and the paper is very thin and not very well suited to markers. Oh well. Moving on.
Lining! The part in the process I actually hate. It wasn't until more recently when I started to use liners in different colors, and I am really loving the browns and reds. Black, I feel sometimes makes me hypersaturate my color choices. Or it just makes my colors look funny. I might be crazy. Whatever. I love black, but right now I'm liking the idea of adding black after all my colors are locked down. It makes for crisper lines.
She's done! I know this seems like a big jump and if I had actually been planning this as a process-oriented post, I would have done some scans of the progress in coloring, but I just... didn't think of it. There are times when I know exactly which colors to use and times when I have no idea and fly by the seat of my pants. This is an example of the former. I always start with the face and hair as a habit, and then move on when I feel like I have sufficient definition.
When working with mixed media, I start with layers of markers. I use neopiko and copic, but I have a few prismacolor pens floating about. I don't really prefer them because I love the flexibility of a brush tip. It's generally good to have a sense of organization to the way you color and I kind of....don't have that very well. After a certain amount of time with marker, I tend to get restless and pull out my inks/pencils/whatever.
I have found that some of the ink sticks made for the coletto multipen systems bleed when exposed to water, as do many gel pens, and this can be used to great advantage to shade and color. I lined a few sections in the hair and placed a few small lines in the legs and cardigan, then I took my waterbrush and pulled the color from those lines to shade nearby areas.
After some lengthy tuning with the waterbrush and some watercolor pencils/aquamonolith/multicolored daiso ballpoints, the last thing to do is clean up bits and pieces with a white gel pen. I use a wonderful pilot gel pen which makes very clear, consistent lines. It's easy to go crazy with the white because it's fun, but it can add a lot of distracting lights and make things look plastic, so I am trying to use it with more purpose. So I primarily used it to soften harsh lines and add shine to the hair.
Then I took it into photoshop and cleaned it up, slapped a border on it and signed it.
Maybe I'll do a boring post on my tools next! Or a better process post. Hahaha. <3
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